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Didn’t exactly finish this before I left for Seattle, but I appear to be in the final stretch for finishing. As per usual, I’m not too sure what to do with the poster on the wall near the accordionist. I was thinking maybe doing a bit of collage, but then again that might pull it out too much of the rest of the image. I’m thinking something along the lines of a darker red. I got a flier the other night after the Tiger Lilies show that seems appealing to use a colorful piece of, but its actually someone’s art and it just feels to be a grey area that I don’t want to be in.

Also debating on adding more detail to the buildings in the background or not. The coloring seems to work, but the lack of detail seems to contrast my style for the rest of the painting.

Now hopefully when I do finish this picture I will be able to have some art up in my parent’s house that doesn’t get moved to the back room closet.

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French underworld tattoos at the turn of the century. The man sports a tattooed mustache intended to foil the prohibition of facial hair in the Foreign Legion. The World of Tattoo by Maarten Hesselt van Dinter. I can only dream of being anywhere near that combination of badass and crazy. Though at that point the Foreign Legion was probably still the best place for criminals to get their record cleaned so perhaps he is as well quite legitimately scary upon all of that. I find myself flipping back to this page time and time again to romanticize the French underground from around 1900. Give him an accordion, a beret, and some braces. Prostitutes who could easily kill you if you ever come up short and tattoo the names of their ‘actual’ lovers between their breasts, close to their heart. Tattoo ‘Je mother fucking t’aime’ in a tattoo cursive along my collar bones.

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