The addition of a woman in the window.

More continuation on the painting. Since the façade is coming along slowly now I have begun working on the interior of the building. I have been having a hell of a time working on getting proportions correct with the woman up in the window. First she's too small, not she seems too big. She's like Goldilocks.
It seems that lately I have been running into really missing a few of the paints that I didn't pack. Simple things that I know I can get replacements for here.. but the price would be a bit higher than I would hope for, ie. free since I already have them. It will just have to be added to the list of things that I will look forward to when I return to the states. Burritos, an oven, a sink that doesn't scald every time, options other than shitty hand driers that don't work while in public restrooms, toilet seats, my collection of cooking items, and of course family and friends... most of these complaints with France I think could be solved if I didn't live in a run down mass housing building built in the 60s.

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Windy Coffee. [part 1]

Fulya was looking at my sketchbook the other day and remarked that she liked the random sketch that I had made of some girl that I saw walking along with a little plastic cup of coffee during the wind storm a few weeks past. As I still have some small pieces of very good watercolor paper [that I had sized to be used for some small frames I had collected but did not have anything to put in them yet], I thought that perhaps I could transfer a little sketch to a little piece of paper to play with techniques. Namely the layering of water colors. Something that I know I have been working on a lot, but practice makes perfect. I also wanted to see how using my new mechanical pencil filled with blue graphite would work in hiding my lines as I initially worked. I forgot to take a picture of the transition between not having the girl inked at all to inking her and starting the background. I was having a hell of a time trying to figure out a setting in which to put her. At first I was th

French underworld tattoos at the turn of the century. The man sports a tattooed mustache intended to foil the prohibition of facial hair in the Foreign Legion. The World of Tattoo by Maarten Hesselt van Dinter. I can only dream of being anywhere near that combination of badass and crazy. Though at that point the Foreign Legion was probably still the best place for criminals to get their record cleaned so perhaps he is as well quite legitimately scary upon all of that. I find myself flipping back to this page time and time again to romanticize the French underground from around 1900. Give him an accordion, a beret, and some braces. Prostitutes who could easily kill you if you ever come up short and tattoo the names of their ‘actual’ lovers between their breasts, close to their heart. Tattoo ‘Je mother fucking t’aime’ in a tattoo cursive along my collar bones.

The adventure continues.

So, I haven't written much lately.. but from the doldrums of the end of semester I then entered a time period of a flânerie across France. A last hurrah. Jessye came to visit again and the tiny room was packed up all into a few suitcases, the largest being named Bertha, and Rennes was left behind, although not before having a picnic in Thabor for the last Saturday market... We got the essentials. Madeleines (where as I reached the front of the line the vendor greeted me with a question of, '6 madelines?') with a few more of that vendor's delicious delights, like those bite size rolls with jams and caramel and chocolate.. Then of course the impossible cow cheese that acted like goat cheese and was rolled in Provencal herbs. And of course a baguette from the amazing bakery covered in tiles. A trip to Thabor with Jessye was never complete without a stop at the aviary. And some people watching. A mohawked punk rocker walks a little girl hand in hand through the park.

High Contrast Grey.

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