Skip to main content

A flannerie into industrialized destructive art.

 The weather was too beautiful to stay indoors in front of a computer screen.
Lightly overcast. Raining, but not in that sense that anyone from a rainy region would call it raining. And a wind that was neither cold, nor warm. Only something to direct the refreshing water onto one's face.
Since I had heard that everything was going to be closed due to the Monday after Easter being a bank holiday I decided to wander the streets of Rennes in what I assumed would be empty.
I wanted to find something new. I was looking for a section where the old and beautiful architecture had stretched out an arm like an amoeba and wasn't restricted to the small sections I had already wandered. In taking the train to Nantes I had remembered seeing sections of the city from the speeding train that looked interesting so I went to Gares to begin my wanderings. I headed West along the tracks.
Soon I came across one of those many areas that I have been finding while wandering about Rennes. The edge of the old being torn down and replaced with the new.
Ugly boxes reaching towards the sky to house copious amounts of people. Industrial structures that look like someone watched too many scifi films from the 1970s.
In the future we will all be placed in small white boxes. Everything will be made of plastic.
It seems that people have forgotten to think about how things age.
As I walk though an area where it feels as though even the road is a new thing and the bus stop states that the line is opening at the beginning of this year I see a building haphazardly surrounded by fencing.

 The interior is filled with graffiti. Something industrial from days past. Everything falling apart. Doors missing. Holes in the roof leaking the rain to the floor. Debris strewn across the floor. Light comes in through windows at an angle to the roof. Not perpendicular, not parallel.
The graffiti is in layers. Initially little hand signs have been covered up with better quality pieces, which then have little hand signs and comments placed upon them. The deterioration changes the canvas. As I am taking pictures a man comes in as well admiring the graffiti and tells me that there are more buildings behind the original I found filled with more graffiti. I think he says former train station, but that was probably just a mistranslation.
 The next building is completely trashed. Every step creates the echoing sound of thick glass being crunched beneath my feet. The industrial light bars all hang loose. Some more so than others, but still attached by a small chain to the framing.
 Some materials seem to be things that were left in the building before the artists entered. Items that were perhaps packaging. Things that were perhaps machinery. Everything was in chaos.
Take pictures, leave only footprints.
After wandering through the buildings I am only left with questions of what happened. There were more of these industrial buildings further back but they were left untouched as fencing separated them. My immediate thoughts are of progress closing industries and how the French love their protests.
This flannerie left me feeling as though I had entered another city. That I had somehow left the known of Rennes and entered some new French town. It wasn't the normal old center, or the young ghettos along the exterior. It was something new. The idea that I have just begun to understand this city that I have been in for the last 8 months.

I have missed the beauty that quiet rainy days can bring out.

As I leave the graffitied buildings I walk past a small camping site in the bushes. A crude symbol of a penis has been spray painted on a tree with an arrow pointing up into the branches.

Comments

Popular posts from this blog

Windy Coffee. [part 1]

Fulya was looking at my sketchbook the other day and remarked that she liked the random sketch that I had made of some girl that I saw walking along with a little plastic cup of coffee during the wind storm a few weeks past. As I still have some small pieces of very good watercolor paper [that I had sized to be used for some small frames I had collected but did not have anything to put in them yet], I thought that perhaps I could transfer a little sketch to a little piece of paper to play with techniques. Namely the layering of water colors. Something that I know I have been working on a lot, but practice makes perfect. I also wanted to see how using my new mechanical pencil filled with blue graphite would work in hiding my lines as I initially worked. I forgot to take a picture of the transition between not having the girl inked at all to inking her and starting the background. I was having a hell of a time trying to figure out a setting in which to put her. At first I was th
French underworld tattoos at the turn of the century. The man sports a tattooed mustache intended to foil the prohibition of facial hair in the Foreign Legion. The World of Tattoo by Maarten Hesselt van Dinter. I can only dream of being anywhere near that combination of badass and crazy. Though at that point the Foreign Legion was probably still the best place for criminals to get their record cleaned so perhaps he is as well quite legitimately scary upon all of that. I find myself flipping back to this page time and time again to romanticize the French underground from around 1900. Give him an accordion, a beret, and some braces. Prostitutes who could easily kill you if you ever come up short and tattoo the names of their ‘actual’ lovers between their breasts, close to their heart. Tattoo ‘Je mother fucking t’aime’ in a tattoo cursive along my collar bones.

The adventure continues.

So, I haven't written much lately.. but from the doldrums of the end of semester I then entered a time period of a flânerie across France. A last hurrah. Jessye came to visit again and the tiny room was packed up all into a few suitcases, the largest being named Bertha, and Rennes was left behind, although not before having a picnic in Thabor for the last Saturday market... We got the essentials. Madeleines (where as I reached the front of the line the vendor greeted me with a question of, '6 madelines?') with a few more of that vendor's delicious delights, like those bite size rolls with jams and caramel and chocolate.. Then of course the impossible cow cheese that acted like goat cheese and was rolled in Provencal  herbs. And of course a baguette from the amazing bakery covered in tiles. A trip to Thabor with Jessye was never complete without a stop at the aviary. And some people watching. A mohawked punk rocker walks a little girl hand in hand through the park.